Overall, I cannot deny that it is entertaining, but if you are looking for anything more, you won’t get it. Nayantara has very little to do, except to look pretty and romance Massu, going through the angry ‘I don’t want to see you again’ fight with him and a happy reconciliation at the end. None other than anything, we are referring to Venkat Prabhus Massu Engira Masilamani Massu. Its popularity is such that the artists and directors of more star value choose to implement a project of the same sort.
MASSU ENGIRA MASILAMANI COMEDY SCENES MOVIE
Neat, but convoluted, the movie wanders all over the place. Vaalu (aka) Vaalu is a Tamil movie with production by S. This is the season where the genre of Horror Comedies are at peak. Then all ends well, as Massu fulfils Sakthi’s wishes which are now his goals too. This makes Massu lose his supernatural ability – conveniently. However, the last villain, Radha Krishnan, tricks Massu and captures him by hitting him on the head. Let me not give the twist away, but Massu agrees now to help Sakthi directly to achieve his aims. Then, conveniently, someone else called Kamal Ekambaram comes in and explains everything. When a second murder happens in a similar way, engineered by Sakthi, Massu really gets angry. The story kind of branches out from here, where Sakthi, a Srilankan look alike of Massu, agrees to help him pull off the mother of all heists and then deliberately sabotages it, resulting in Massu killing a man of necessity. There is a Sixth Sense borrow as well, when Jet Li seems to continue conversations with Massu, only later for Massu to realize that he is dead and also that he now can see dead people. Well, the story borrows liberally from movies like Ghost, when Massu and Jet Li, after several successful scams, swimming in money, get into an accident. (Really? Why name a person in a Tamil movie as Jet Li?) Jet Li is played by Premgi Amaran (the son of Gangai Amaran). Probably not one of his best experiments, this horror comedy film had a really interesting plot, but thanks to brutal commercialising, it ended as a very average film. He plays both roles well, even if it is in his now familiar style. The story starts like a comedy thriller, goes supernatural and descends into formulaic elements towards the end.įirst of all, the story fully depends on Surya, who comes in a (kind of) dual role, as Massu (Masilamani) who is in the title and a Sri Lankan Tamil called Sakthi. What a mishmash! The director does not seem to know what kind of story to tell.
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